Œuvres
Deftones 2022
Thomas Liu Le Lann
Deftones #5, 2022
Bois, vinyle, velours, mousse et ouate
Photo © Claude Cortinovis
Thomas Liu Le Lann
Deftones #4, 2022
Bois, vinyle, mousse, ouate et toile de coton non apprêtée
120 × 120 × 9,5 cm
Photo © Julien Gremaud
Thomas Liu Le Lann
Deftones #1, 2022
Bois, vinyle, velour, mousse et rembourrage
120 × 120 × 9,5 cm
Photo © Julien Gremaud
Thomas Liu Le Lann
Deftones #3, 2022
Bois, vinyle, velours, mousse et ouate
120 × 130 × 6 cm
Photo © Julien Gremaud
Deftones #2
2021
Bois, vinyle, velours, mousse et ouate
120 × 144 × 6 cm
Photo © Julien Gremaud
Deftones #2
2021
Bois, vinyle, velours, mousse et ouate
120 × 144 × 6 cm
Milo, Dittrich & Schlechtriem, Berlin, Allemagne, 2021
Photo © Jens Ziehe
Deftones #2, Deftones #3, both canvas with vinyl eyes protruding from tapestry made by Vladimir Boson, give us a look that leaves us unsure whether they are friendly or compassionate. You might think they’re brave, a bit dumb, but at times they seem to be shot through with a kind of mathematical gumption that amounts to genius. One thinks of Spyro the dragon, the video-game star, coming to pierce a cocaine-chic design by Gaetano Pesce. They could also appear in Bikini Bottom, the marine city of SpongeBob, with their Bertrand Lavier cartoonish allure. But the titles put us on the track of Deftones fandom. The Sacramento nu-metal band’s bassist Chi Cheng was left in a coma following a severe car accident in November of 2008 and died in 2013. Their latest album is adorned with the same look between tenderness and torpor that seems to belong to the late musician. There are superb men who are humbled by the elevation and the decline of their rivals. Chi Cheng, another soft hero?
– Pierre-Alexandre Mateos & Charles Teyssou, Milo, 2021 (extrait)