Œuvres
Soft Heroes 2017-2024
Thomas Liu Le Lann
Shion, 2021
Vinyle, coton et polyester
c.280 × 150 × 660 cm
Highlights aus der Sammlung Jakob, Freiburg im Breisgau, Allemagne, 2023
Photo © Danillo Donzelli
Thomas Liu Le Lann
Milo, 2021
Bois, métal, laque, vinyle, coton, velours, polyester, ouate synthétique
165 × 147 × 132 cm
17, Xippas, Paris, France, 2021
Photo © Frederic Lanternier
Thomas Liu Le Lann
Ziwen 1, 2018
Softsculpture
240 × 40 × 12 cm
Offshore framing, Take Festival, Vienne, Autriche, 2019
Photo © Ganica Stauz
Thomas Liu Le Lann
Mace, 2021
Denim, vinyle, coton, acier, bois, ouate et Tracteur
240 × 40 × 12 cm
Liste, Vinvin, Bâle, Suisse, 2021
Photo © Studio Shapiro
Thomas Liu Le Lann
Philippe I, 2021
Bois, corde, acier, vinyle, ouate synthétique, denim et coton
240 × 40 × 12 cm
Cozzie Livs, curated by Tom Bull, Des Bains, Londres, Angleterre, 2021
Photo © Studio Adamson
Thomas Liu Le Lann
Allen 1, 2018
Vinyle, coton, strass, tulle et ouate polyester
240 × 40 × 12 cm
Duna Bianca, Dittrich & Schlechtriem, Berlin, Allemagne, 2020
Photo © Jens Ziehe
Thomas Liu Le Lann
Bad Luck II, 2022
Machine à pinces, acier, vinyle, ouate synthétique, denim
ArtGenève, Stand Xippas, Genève, Suisse, 2023
Photo © Claude Cortinovis
Thomas Liu Le Lann
Philippe II, 2021
Denim, vinyle, coton, acier, bois et ouate
240 × 40 × 12 cm
Liste, Vin Vin, Bâle, Suisse, 2021
Photo © Julien Gremaud
Thomas Liu Le Lann
Stan, 2019
Vinyle, tulle, acier, bois et mousse
115 × 50 × 166 cm
i’m not okay, VinVin, Vienne, Autriche, 2019
Photo © Flavio Palasciano
Thomas Liu Le Lann
Chae 1, 2018
Softsculpture
240 × 40 × 12 cm
ShowDown, Musée des Beaux-Arts Le Locle, Suisse, 2018
Photo © Lionel Henriod
Thomas Liu Le Lann
THOMAS, 2019
Vinyle, coton, ouate polyester, pvc, denim et crochet en fer
280 × 150 × 660 cm
Ziwen, you deserve all the flowers that still grow on earth, Xippas, Genève, Suisse, 2019
Photo © Annik Wetter
Thomas Liu Le Lann
Y (Y wears a baby blue PMS shirt), 2021
Tricycle, velours, vinyle, t-shirt en coton biologique imprimé, acier, bois et ouate
115 × 50 × 166 cm
Milo, Dittrich & Schlechtriem, Berlin, Allemagne, 2021
Photo © Jens Ziehe
Thomas Liu Le Lann
!?!?!?!?!?, 2024
Coton, ouate, plastique, corde, bois, acrylique et métal
c.325 × 315 × 330 cm
Sky Rush, Xippas, Genève, Suisse, 2024
Photo © Julien Gremaud
Thomas Liu Le Lann
Stan, 2019
Vinyl, tulle, acier, bois et mousse
115 × 50 × 166 cm
Photo © Flavio Palasciano
Thomas Liu Le Lann
Ziwen III, 2020
Jersey, vinyle, fausse fourrure, pvc, rembourrage polyester
240 × 40 × 12 cm
Year of the rat, Dittrich & Schlechtriem, Berlin, Allemagne, 2020
Photo © Jens Ziehe
Thomas Liu Le Lann
Untitled, 2018
Tissu laqué
Dimentions variables, ~ 8 mètres de long
i’m not okay, VinVin, Vienne, Autriche, 2019
Photo © Flavio Palasciano
Thomas Liu Le Lann
Loved (soft), 2017
Softsculpture
240 × 40 × 12 cm
Une histoire d’amour, One Gee in Fog, Genève, Suisse, 2020
Photo © Théa Giglio
Thomas Liu Le Lann
Bad Luck I, 2022
Machine à pinces, acier, vinyle, ouate synthétique, denim
190 × 60 × 110 cm
Barbe à Papa, CAPP, Bordeaux, France, 2022
Photo © Arthur Pequin
Thomas Liu Le Lann
Ziwen 1, 2018
Softsculpture
240 × 40 × 12 cm
19.07, maladie d’amour, Grenoble, France, 2018
Photo © Lili Reynaud Dewar
Thomas Liu Le Lann
Ziwen Forever, 2024
Vinyle, coton, ouate, plastique
Dimensions variables
Photo © Julien Gremaud
Thomas Liu Le Lann
Vue d’exposition
Milo, Dittrich & Schlechtriem, Berlin, Allemagne, 2021
Photo © Jens Ziehe
Thomas Liu Le Lann
Untitled, 2018
Tissu laqué
Dimensions variables, ~ 8 mètres de long
i’m not okay, VinVin, Vienne, Autriche, 2019
Photo © Flavio Palasciano
Thomas Liu Le Lann
Nacho (Nacho wears a kiwi green PMS shirt), 2021
Tricycle, jersey, vinyle, t-shirt en coton biologique imprimé, acier, bois et ouate
115 × 50 × 166 cm
Milo, Dittrich & Schlechtriem, Berlin, Allemagne, 2021
Photo © Jens Ziehe
Thomas Liu Le Lann
Ryu #1, 2019
Lycra, remourrage polyester, chaine en aluminum, simili cuire et acrylique
90 × 23 × 5 cm
Photo © Yuko Tohihara
Thomas Liu Le Lann
Ashe, 2021
Denim, vinyle, coton, acier, bois et ouate
240 × 40 × 12 cm
Liste, Xippas, Bâle, Suisse, 2021
Photo © Julien Gremaud
Thomas Liu Le Lann
Philippe I, 2021
Bois, corde, acier, vinyle, ouate synthétique, denim et coton
240 × 40 × 12 cm
Le Commun, Genève, Suisse, 2021
Photo © Julien Gremaud
Thomas Liu Le Lann
THOMAS, 2019
Vinyle, coton, ouate polyester, pvc, denim et crochet en fer
280 × 150 × 660 cm
Étude sur l’empathie, Fondation Pernod Ricard, Paris, France, 2019
Photo © Aurélien Mole
Thomas Liu Le Lann
Untitled, 2023
Carton, vinyle, denim, coton, acier, polyester, corbeille
140 × 60 × 60 cm
Claustrophobia Alpina III Relief, Forde, Genève, Suisse, 2023
Photo © Théa Giglio
Thomas Liu Le Lann
Archive de l’artiste, 2018
Photo © Droits réservés
‘the silence of a boy is hard to endure
but endure mine, i beg you’
Dennis Cooper, The Weaklings (XL), 2013
In their extreme blankness, Liu Le Lann’s figures perhaps most resemble the unlocatable love objects of Dennis Cooper’s fiction. Because the boys Cooper obsesses over lack any discernible characteristics, and refuse to express themselves, they demand to be represented. Someone else has to describe them if they cannot do it themselves. But by refusing to affirm or deny their representation, or display even the most meagre qualities attributed to them, they mark up the distance between reality and representation. The processes of identification and representation continue whether or not there is something to be described. Identity, and the subject, are shown to be little more than narrative fantasy or social construction. This is not some subversive power wielded by the dissident individual – a passive agency, whatever that would mean – but simply making visible an already existing fault line in the process of identification. In showing that representation comes from the outside, at a cultural rather than individual level, Cooper’s blank characters, like Liu Le Lann’s almost formless figures, cannot be reduced to a type, a racial category, or otherwise defined. The silence of the blank figure is harder to endure than any speech.
Paul Clinton, Soft Heroes – Passivity and Weak agency in Thomas Liu Le Lann’s ShowDown, 2019 (Excerpts)